tabla books in marathi pdf
#1

Hi myself Ajit, I'm having interest in learning tabla but unable to join to any classes due to hectic working schedule. Fortunately i have tabla pair at my home so looking for tabla book in marathi so that i can practice at my free time at home as well as at working desk...

Thanks n regards,

Ajit S Shirke
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#2
The tabla[nb 1] is a membranophone percussion instrument (similar to bongos) which is often used in Hindustani classical music and in the traditional music of India, Pakistan, Nepal, Bangladesh, and Sri Lanka. It is also one of the main Qawali instrument used in Pakistan and India. The instrument consists of a pair of hand drums of contrasting sizes and timbres.

The main drum is called a tabla or dayan and is played with the dominant hand. Its shell is cylindrical and made out of wood, and its tight skin produces a distinct pitch when struck. The larger, low pitched drum, called bayan, has a bowl-shaped metal shell. Its membrane is looser than that of the tabla, enabling the player to manipulate the drum's pitch with his or her hand in performance. It is claimed that the term tabla is derived from an Arabic word, tabl, which simply means "drum." The tabla (ketipung bagus) is used in some other Asian musical traditions outside of the Indian subcontinent, such as in the Indonesian dangdut genre. The playing technique is complex and involves extensive use of the fingers and palms in various configurations to create a wide variety of different sounds and rhythms, reflected in mnemonic syllables (bol). The heel of the hand is used to apply pressure or in a sliding motion on the larger drum so that the pitch is changed during the sound's decay. In playing the Hindustani style tabla there are two ways to play it: band bol and khula bol. In the sense of classical music it is termed "tali" and "khali".
Taals has developed since the Vedic or Upanishad eras in India. As a result, Pushkar was in existence long before even the Mridang. It is quite likely that an instrument resembling the tabla was in existence much earlier.[citation needed] It was popular during the Yadava rule (1210 to 1247) in the south, at the time when Sangita Ratnakara was written by Sarangadeva. A temple known as Eklingaji in Jaipur, Rajasthan shows the carvings of a tabla being played. There is recent iconography of the tabla dating back to 1799. This theory is now obsolete with iconography carvings found in Bhaje caves providing solid proof that the tabla was used in ancient India. There are Hindu temple carvings of double hand drums resembling the tabla that date back to 500 BCE. The tabla was spread widely across ancient India. A Hoysaleshwara temple in Karnatak shows a carving of a woman playing a tabla in a dance performance.

The tabla uses a "complex finger tip and hand percussive" technique played from the top unlike the Pakhawaj and mridangam which mainly use the full palm, and are sideways in motion and are more limited in terms of sound complexity.

Rebecca Stewart has suggested that the tabla was most likely a product of experiments with existing drums such as the pakhawaj, mridang, dholak and naqqara.[citation needed] The origins of tabla repertoire and technique may be found in all three, and in physical structure there are also similar elements: the smaller pakhawaj head for the dayan, the naqqara kettledrum for the bayan, and the flexible use of the bass of the dholak.
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