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Writers will spend years writing, lovingly polishing and then marketing a novel, and yet they shrug off the synopsis with a comment like "I hate writing synopses."
I hate writing synopses, too. I used to hate them because the ones I wrote sucked all the life from the novel, reducing it to bare-bones sentences that did nothing to capture the depth of the novel itself. Now I hate writing synopses because they are much more difficult to write than the novel ever was. It's not easy distilling 100,000-odd words into a few pages. But it's important.
The synopsis is the most important part of your submission package and, as such, it has to be developed and sweated over and polished with the same attention you devoted to the novel itself. Along with the cover letter, the synopsis is what sells the editor on the manuscript. If they don't see anything they like in the synopsis, they won't even glance at your chapter samples.
The synopsis is your sales pitch. Think of it as the jacket blurb for your novel (the synopsis is often used in writing this, and by the publisher's art and advertising departments, if the novel is purchased), and write it as though you're trying to entice a casual bookstore browser to buy the novel and read it. Which isn't too far from actuality.
"Okay," you say, "you've sold me. This is something I have to do, and do well. But how?"