Comedy scripts in bollywood theme for fairwell party

Anchoring Script for Dance Event
Start of Show
Hum jante hai aap hai bekaraar ,
Par sirf kuch paloan ka intezaar ,
Aur phir shuru hoga yeh show ekdam Dhamaaakedaaarrrr!!!!….

Hum hai (name of the host)
Rakhenge aapka kahayal,
Aayiye dekhe hum sab ajj ke performances bemisaal!!!!
Good evening Ladies & Gentlemen!!! A very warm welcome on behalf of the name of the firm to the most awaited event name of the event

GOD answers every prayer.
When the idea is not right, GOD says no,
When the time has not arrived, GOD says SLOW.
We have good plans for ourselves but GOD has better plans for us.
So Let us all join the (short name of the firm) company members to bow down in worship of the Lord…the Saving Grace!!!
Start of performance – Song 1 (Khwaja Mere Khwaja)
Just ask UNIVERSE for help and we see wonders. That is what we call a “MIRACLE”
I think they have truly spread the spiritual vibes this eve creating a state of trance with their magnetic performance. I guess all our hands have become numb. But they deserve a big round of applause. APPLAUSE!!
I think their act has justified their power…the name of the firm in short if any power!!
Name of the firm is the outcome of ardent Zeal; a dream & mission, a manifestation seen by the passionate eyes & vision of founder name.. Founded by founder name With the grace of GOD, the love of our well wishers and the immeasurable potential and commitment of the family, every year is becoming more special since the (short name of the firm) ‘s wings are spreading wider by the day….
GOD/Bhagwaan/Allah …call with any name.. there is one SUPREME power who answers... as its rightly said “Sabka Malik Ek” .
Bas ek tadap,
A deep Desire to touch the hands of unconditional love & protection,
Ek khoj uski jo har pal hai saath ,
You think and it happens, you ask for a sip, you get oceans,
Aakhir kaun hai ..kahaan hai..
Let’s Uncover!!!!! Lets Seek!!!!
Our Next Performance by our sweet angels …

SCRIPT FOR A COLLEGE FUNCTION
(Theme- Bollywood comedy)

Entry on cycle.
1.
Song: “Do mastane chale jindgi banane.”
2.
Then introduction (rohit sharma)
3. Dipesh: are yar itne din kaha tha bhai.
Rohit: are yar mumbai ghumke aya bhai
d: are mere liya kya laya??
r: lo karlo baat...gaav basa nahi aur bhikhari pehle aa gaye
dale bus na ye hi dosti.
r:are majak kar raha hu tere liye kapdae laya hu na yar.
d: are waah yar..thankx yar..ha ha..kapdo se yad aya..ek bat bata mujhe ki...
(PJ) ese konse kapde he ki jise pahente hi hum forighner ban jate he??
R: "smthng"
D: "Odhni" ( ke nachu odhni odh ke yar..dil pardeshi ho gaya)
R: (chid jata he)
second pj- mumbai ke bar e me..salman khan par..
D: esi konsi cheez he k jise todte hi salman khan nachne lagta he??
R: "smthng"
D: kasam (har kasam todke nachu)
rchid jata hai )
then pj of rohit -amir khan
pj ( aamir khan ke gharka bil)
aamir ki maa: beta aajkal humare ghar ka bil itna jyada kyo aa raha he??
aamir: me kabhi batalata nahi...par andhere se darta hu me maa
d: (chid jata hai)
r: abhi to picture baki hemere dost...achcha chal aab ye bata..pj(NANO)..
d: ha janata hu na..badme mera ku6 xtra..
r: kisna (ans)
d:acha to ye bata......
BOLLYWOOD BEATS GROUP DANCE
r:are boht ho gai bakvas....lets move on program
r:do u know that today all bollywood beauties r here on our fest n they r performing for us..
d:no its no possible ....
rach mae yar..
d:nahi ho sakta...
r:ok.. lagta hain tuje demo dena hi padaega..
ro..please puts yours hands together to wellcome the beauties of our collage.
( )group to come and rock the stage... wid there dance of bollywood bits



dance performence..
ro that is what i call a perfomence..
d is going forward on stage n sit there and thinking some thing then i ask wht hepn..
d:are yaar abhi 14th feb gai na.....
r:yaa...maja aa gya..
r; to kyu sad hai itna...
dhayri.
after shayari...rohit laughes loudly...dipesh will try to stop him by getting angr y
d: chal meri chhod...tu bata..tu bada kush lag raha hai..baat kya bhai??
"sharma" sharma raha he
(song samjo ho hi gaya) with mech public
d:yaar kya baat he...kaise kismat hai meri( is langoor ko bhi angoor mil gaya)
r;han kya bol be.
d:abe kuchh nahi kismat ki baat kar raha hu,...
r:kismat ki baat nikli hai to ek sher pesh karna chahuga..
rhayri..(on kismat)..
HAYE RAE KISMAT
d:on him calling the group..
entry with fortune group with a song and personly intro..
drama(haye rae kismat)
d: stupendo fantabullasly f antastic..history...
r:then i say some thing in enlish abt the drama..
d:he says some thing gujrati....
r:ha kya bol raha hai bae... kuch samj nahi aya..
r:abe dum hai to maere se english mae baat kar ke dikha ..
D; abe tu mere ko samjata kya he?? ho jaya bet??
r: smthng abt umang sir..than he talk abt UMANG sir mere ko
rohit goes to the umang sir n asking..
D:.eng,eng,eng,eng,eng,eng..
r:are apne collage e students yaar all rounders hai in se
DANCE -fod daetae hai..
DRAMA-kara lo kamal ka karte hai,,
d:wht abt singing songs ..
SONG BY MITESH PANDEY(YAKKEN)
r:uski to baat hi mat karo...uske ke liye humare pas dabbng hai.
d:are kon vo chubul pandaye ....'
R; nahi mitesh pandey...kuchha jyada fark nahi he...wo as a polish dabaang he aur ye
as a singer d abaang he..
D & R: to please welcome THE DABBNG SINGER OF OUR collage
d:aaeye pandae ji.. aeyae..



MECHANICAL MACHINE GROUP
mimicry of dance performance...
thn doing michal jackson..dipesh is going to back stage..n shrma comments on that...somthing..
s: intro of mech group dance form*( without expressions n leg moments)

In a modern sense, comedy (from the Greek: κωμῳδία, kōmōidía) refers to any discourse or work generally intended to be humorous or to amuse by inducing laughter, especially in theatre, television, film and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters.[1] The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old".[2] A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter.